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Ridley Scott has shown the same ruthlessness and brinkmanship you would expect from the kidnap victim’s oil tycoon grandfather, J Paul Getty, in rescuing his own movie.
Hers is the performance that we should really be talking about.
As a story, is pulling in several different directions at once.
It’s a satirical study of how extreme wealth distorts human behaviour.
In the course of their rushed calls, Gail and Cinquanta form an unlikely bond.
They’re both equally frustrated that the ransom isn’t being paid.